If you follow my video and documentary work, you might know I happen to do a lot of ambush interviews. If I see something interesting and I can get a camera ASAP or have one in my bag, I will more likely than not, start interviewing the subject.
I try to be nice and unthreatening by all means. I don’t want to scare the subject off. I haven’t had an ambush interview go extremely wrong or get out of hand. But one day in London’s South Bank, I definitely stumbled upon one of my most unique subjects and perhaps awkward interviews.
What resulted was the following video costarring musical artist Emil Lager and his friend Amy.
Lager has a number of well-recorded, yet raw recordings on his MySpace music page and has a few shows set up for the summer. He is also an actor, playing a role in a French indie film called Cassie and playing in a fringe theatre company called Scandimaniacs.
And, according to his biography, he, “Is currently appearing in season IV of SKINS on E4 and as the lead guitarist in the Japanese mega star Ayumi Hamasaki’s two latest music videos MICROPHONE and SEXY LITTLE THINGS.”
Wednesday I had the opportunity to interview Palestinian-Arab Israeli filmmaker Ibtisam Salh Mara’ana.
Mara’ana came to following up the screening of her new documentary “Lady Kul el-Arab” at the Massachusetts Multicultural Film Festival.
Most of Mara’ana’s films are documentaries. “Paradise Lost” is a documentary about the small fishing village on the Mediterranean of Paradise, where Mara’ana was born in 1975. “One of the few Arab communities remaining after the 1948 war, Paradise became culturally and politically isolated as Jewish settlements sprung up around it, and today it is a place defined by silence and repression,” according to the Women Make Movies Web site.
Women’s stories and culture are common themes in Mara’ana’s films. “3 Times Divorced” is about a Palestinian woman in Israel whose abused by her Arab-Israeli husband. The woman is left divorced, struggling to get her children back, and battling the state of Israel in court.
“Lady Kul el-Arab” is about a young Druze woman who is a finalist in an Israeli-Arab beauty pageant. She decides to enter an Israeli beauty pageant as well, when her family and life is confronted with a series of events and cultural disputes.
The screening was followed by a question and answer session, and I sat down with Mara’ana to talk about her filmmaking. Mara’ana graduated from the Jewish-Arab academic center of Givat Haviva where she studied cinema.